*School of Performing Arts; other degrees housed in the School of Music
About Vocal Performance
All Vocal Performance degrees meet NASM certification. They provide a high level of technical assurance while also developing the acting, movement, language, auditioning and business skills essential for those wishing to enter the contemporary performance market. In addition to performing in operas, choral concerts, recitals and musicals, course work includes:
|Theory||Opera Lab (acting)||Movement|
|Italian||Audition Techniques||Opera Styles|
|Opera History||Aural Skills||French|
|Vocal Literature||German||Acting for Singers|
Wichita State University holds scholarship auditions in the Fall and Spring on the WSU campus for the following programs: BFA in Musical Theatre, BM in Vocal Performance, and MM in Voice Performance and Opera. Auditions at other times of year can be arranged. DVD, CD or internet auditions may be considered in the event that a personal audition is impossible; however, no scholarships or fellowships will be awarded without a live audition.
Audition Requirements for Vocal Performance Majors (BM in Vocal Performance)
BM vocal Performance: Applicants must present 2 selections one of which should be in English, one in Italian. Contact Dr. Michael Hanawalt for information: email@example.com.
MM in Vocal Performance or Opera: Applicants with interest in Opera should prepare fpu arias demonstrating a range of musical styles and languages, including one in English (translations and legit musical theatre selections are acceptable). Students seeking the MM without opera emphasis may perform a selection of arias and art songs. An accompanist is provided.
Contact Marie Allyn King, Director of Opera and Voice, for more information and an appointment firstname.lastname@example.org
Scholarships & Assistantships
Undergraduate scholarships are awarded based on audition and GPA. All qualified Vocal Performance and Musical Theatre majors are eligible for departmental scholarships.It is highly recommended that students fill out FAFSA forms, as some awards are need-based.To be notified of scholarship awards, students must have applied to, and been accepted at Wichita State University. Undergraduate awards usually range from $1000 to $2500 yearly, and may include assistance with dormitory housing. Students with high GPA’s and SAT scores may also qualify for additional academic scholarships; contact financial aid for information www.financialaid.wichita.edu Undergraduate auditions are scheduled through Dr. Hanawalt, email@example.com
Graduate Teaching Assistantships are awarded to graduate students majoring in Vocal Performance, Opera Performance or Music Education. Graduate Teaching Assistantships include tuition waivers plus a stipend (2016 rate is $7000). Graduate auditions are held on the WSU Campus on the following dates:
February 25 and March 4, 2017.
Endowed Opera Funds
Through the generosity of several individual donors, six endowed Opera Performance Scholarships and Fellowships are available each year to full time students displaying unusual promise. Awards vary depending on the interest generated by each fund. Scholarships and Fellowships are awarded by audition. All are merit based, require a cumulative GPA of 3.0 and continued satisfactory performance in the degree program. In-state tuition is awarded to Graduate Service Assistants in Opera.
Samuel Ramey Opera Fellowship
Awarded annually to a WSU graduate student enrolled in the College of Fine Arts MM in Opera Performance. The award is based upon audition, with consultation and advice of Samuel Ramey. The Fellowship is renewable annually until completion of the Master’s degree (two years). Application for renewal is required.
Carolyn and Arthur Skaer Opera and Operetta Fund
Awarded annually to a WSU graduate student enrolled in the College of Fine Arts MM in Opera Performance. The Fellowship is renewable for two years on completion of the Master’s degree. Application for renewal is required.
Sarah Shirkey Gietzen Endowed Scholarship Fund
This Scholarship is awarded annually to one WSU School of Music undergraduate student enrolled in Vocal Performance, who performs in WSU Opera and Muscal Theatre productions, and has the goal of an operatic career.The award may be renewed up to four years.
George Gibson Opera Fellowship
Awarded annually to a WSU student enrolled in the MM in Opera Performance. The Fellowship is renewable for two years. Application for renewal is required.
George and Brenda Farha Scholarship in Opera
Awarded annually to a student enrolled in the WSU College of Fine Arts MM in Opera Performance. The award is based on audition and can be renewed only on the basis of audition.
Feiertag Endowed Fellowship for Vocal Performance Majors
Awarded annually by determination of the faculty to one graduate student with a goal of an operatic career enrolled in WSU School of Music .
BFA in Musical Theatre
The BFA in Musical Theatre is housed in the School of Performing Arts; substantial course work is in collaboration with the School of Music. The B.F.A. is an intensive, interdisciplinary, performance-oriented major, offering equal emphasis in singing, acting and dance techniques. Students interested in musical theatre as a profession will gain the training and skills they need to succeed in this demanding and competitive career.
Audition requirements for the Bachelor of Fine Arts in Musical Theatre
Upon arrival there is a general meeting to fill out audition forms. Please bring a picture and resume if available. All students learn and perform a short dance combination. Please wear appropriate shoes and clothing. The dance portion of the audition lasts about 20-30 minutes. Students have time to change, if they wish, and present their memorized songs and monologues individually by appointment. Please bring your own sheet music in the correct key. No recorded accompaniment is permitted; an accompanist is provided. Contact Linda Starkey for an appointment firstname.lastname@example.org
Students with high GPA and SAT scores may also be eligible for academic scholarships; please contact the financial aid office for information.
Opera & Musical Theatre
Professor Alan Held, Director of Opera 316-978-6473 email@example.com
Professor Amy Baker Schwiethale, Director of Musical Theatre 316-978-3056 firstname.lastname@example.org
Professor Linda Starkey, Director of School of Performing Arts 316-978-3368 email@example.com
Dr. Cristina Castaldi, Voice
Professor Michael Sylvester, Voice
Dr. Pina Mozzani, Voice
Samuel Ramey, Distinguished Faculty of Opera
Lindsey Ramey, Lecturer in Voice
Michele Sylvester, Lecturer in Voice
Amy Baker Schwiethale – Jazz, Tap, Music Theatre Dance
C. Nicholas Johnson – Mime, Jazz, Modern
Sabrina Vasquez – Ballet, Modern, Jazz
Denise Celestin - Ballet
Cheyla Clawson - Modern
Dr. Mark Laycock - Director of Orchestra
Dr. Thomas Wine - Choral/Education
Dr. Michael Hanawalt - Choral/Opera Preparation
WSU produces two main stage operas and two main stage musicals per year, fully staged with orchestra. Operas are performed in the original language with titles. Repertory is selected to expose students to a broad range of styles, from standard works to lesser-known fare (see productions list), and to showcase those students currently enrolled. Other performance opportunities include Second Stage productions of musicals, Acting for Singers, Opera Lab, Musical Theatre Scene Study, and numerous master classes, recitals and concerts. Vocal Performance majors and Music Theatre majors are encouraged to audition for roles in all productions.
During the summer, WSU offers a four week study abroad program in Lucca, Italy, Canta in Italia www.cantainitalia.wichita.edu After a month of immersive study in voice and language, students perform two concerts of opera scenes and arias.
Beatrice et Benedict and La Clemenza di Tito
Company and Sister Act
Recent Guest Artists, Master classes & Seminars
Samuel Ramey (currently in residence) played Olin Blitch; the Commendatore.
Warren Jones Master Class
Wayne Bryan Directed Spitfire Grill
Joyce Di Donato Master Class
Alan Held (current faculty) Master Class and Recital
Zeffin Quinn Hollis Directed Die Zauberfloete; played Frank Maurrant
Stephen Kopel Master Class; Directed Chicago and Violet
Andrew Palermo Choreography for Dance and Music Theatre; Directed Hair
Myrna Paris Master Class and played The Fairy Queen in Iolanthe
Regional Performing Opportunities
Students are encouraged to audition for paid roles and internships at the many professional and community theatres that flourish in Wichita and the region. The regions’ premiere Equity theatre, Music Theatre Wichita, directed by Wayne Bryan, performs during the summer months and features Broadway talent. WSU musical theatre students perform frequently with Wichita’s numerous non-Equity companies, including Crown Uptown and Mosley Street. Most WSU vocal performance majors earn extra income by working as church soloists, and many also perform with Opera Kansas and Wichita Grand Opera. In addition to producing an annual holiday production, Opera Kansas sponsors in-school performances, and chamber opera in English. WGO mounts a season of grand opera and ballet.
Opera Department Productions since 2003
The Light in the Piazza
Les Indes Galantes
Don Giovanni (with Samuel Ramey as the Commendatore)
Cold Sassy Tree
Susannah (with Samuel Ramey as Blitch)
Suor Angelica/Il Campanello di notte
Il viaggio a Reims
L’incoronazione di Poppea
Hin und Zurück
L’Enfant et les Sortilèges
Così fan tutte
Les Dialogues des Carmelites
The Marriage of Figaro
Les Contes d’Hoffmann
The Nightingale and the Rose (World Premiere)
Hansel and Gretel
Cosi fan tutte
Amahl and the Night Visitors
Distinguished WSU Opera Alumni
Samuel Ramey - Metropolitan Opera, La Scala, Covent Garden
Joyce DiDonato - Metropolitan Opera, La Scala, Paris Opera
Alan Held - Metropolitan Opera, Chicago Lyric Opera, Covent Garden
Myrna Paris - New York City Opera, St. Louis Opera Theatre
Beverly Hoch - Aldeburgh, Glyndebourne, Santa Fe, many recordings
Richard Markedly - Berlin Stadtsoper, Chicago Lyric, Houston Grand Opera
James Billings - New York City Opera, Glimmerglass
Stephen Tharp - Metroolitan Opera, Glimmerglass Opera
Catherine Cook - San Francisco Opera, Tulsa Opera
Howard Haskin - Théatre du Chatelet, Maggio Musicale Fiorentino, Opéra National de Lyon
Musical Productions since 2003
Crazy for You
She Loves Me
How to Succeed in Business Without Really Trying Lady Be Good
Waltzing in Heaven (world premiere)
The Wild Party (KCACTF Finalist; Kennedy Center special honoree)
Children of Eden
The Apple Tree
A New Brain
1940’s Radio Hour
Pippin (KCACTF Finalist; Kennedy Center alternate)
Into the Woods
The Secret Garden
The Threepenny Opera
Notable Alumni of the School of Performing Arts
Julius Thomas III Broadway: Scottsboro Boys; Porgy and Bess; Motown, the Musical
Karla Burns –Broadway: Showboat (Tony nominee)
Suann Pollack – Production Stage Manager Cincinnati Playhouse in the Park
Hal Davis – Broadway: Titanic
Ray Wills – Broadway: The Rothschilds
Virginia Creamer – Director: Universal Studios, Orlando FL
Stephen Kopel - Jim Carnahan Casting, NYC
Larry Pressgrove - Composer of Tony & the Soprano; music director/arranger of the Broadway musical [title of show]
What people are saying about WSU Opera and Musical Theatre
“If you missed Wichita State University’s production of Hair, then it is quite possible that you missed one of the best theatrical productions Wichita has ever seen.”
“Alex Stoll’s work as Burrs in your production of The Wild Party was regarded as the outstanding single performance of the eight KCACTF regional festivals.”
“We had three of your students in our program [Des Moines Metro Opera] this summer, and we were very pleased with the professionalism, musicality and level of preparedness with which they arrived and continued to conduct themselves throughout the season.”
“What made WSU’s La Calisto most interesting was the bold staging. The student singers, dressed in colorful (and slightly risqué) Greek costumes by Rebecca Maholland, clearly relished their roles.”
“The orchestra work came off as fleet and accomplished.”
“What a wonderful performance, and as completely realized a production [of Pippin] as I’ve ever seen.”