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MFA STUDENT HANDBOOK


TABLE OF CONTENTS

 

MFA Program Description

            Admission

            Degree Program Status

            Counseling

            General Departmental Requirements

                        Transfer of Credit

            Degree Program

                        Course Work

                        Comprehensive Examination

                        Final Writing Project

                        Final Writing Project Review

            General Information

                        Registration and Advising

                        Plan Of Study

                        "Readings" and "Studies" Courses

                        Enrichment Courses Explained

                        Directed Readings: Limitations and Procedure

                        Book List and Comprehensive Examination Procedure

                        Final Writing Project and Review Procedure

                        MFA Final Writing Project Preparation and Procedure

            Graduate Deadlines

 

Program Forms (department)

            English 855 - Directed Readings: Prospectus (MFA)

            Plan of Study

            MFA Enrichment Prospectus

            English 875 -- MFA Final Writing Project: Prospectus

            Application To Submit Final Writing Project

 

Criteria and Procedures—MFA Fellowships

 

Criteria and Procedures—MFA GTA to teach 285Q

 

Directed Readings credit for editing MIKROKOSMOS

 

MIKROKOSMOS (Literary Magazine) Constitution

 

EGSA (English Graduate Student Association) Constitution

 

Graduate Teaching Assistantships

 

 

 

 

WICHITA STATE UNIVERSITY

 

MASTER OF FINE ARTS IN CREATIVE WRITING

 

 

The degree program for the Master of Fine Arts (MFA) in creative writing places emphasis on the development of attitudes, skills, and understanding in the practice of imaginative writing, along with related academic study.  Unlike some MFA degree programs in creative writing, the WSU program is not conceived as a studio program.  It encourages the development of fine writers who are also able, as a result of additional course work in English, to demonstrate skills useful in teaching, editing, and other areas related to creative writing.  The program allows for a core of activity in creative writing leading to a final writing project in poetry, short fiction, the novel, or some other appropriate form. Flexibility is provided in other required course work to allow for a variety of possible interests.

All MFA students are required to take English 800 (Introduction to Graduate Study).  Teaching Assistants are required to take the in-service training course unless specifically exempted.

 

ADMISSION

 

            Applicants must meet the general requirements of the Graduate School.  The director of creative writing evaluates the applicant’s transcript, prescribing additional undergraduate hours for those who have fewer than 24 credit hours of acceptable course work in English.  Courses in freshman composition, grammar, teaching methods, journalism, speech, etc., may not be included in the required 24 hours.  Exceptions may be made for outstanding students who have majored in related fields.  Gifted writers may study in the program as special students with no specific degree intentions; however, their admission to any workshop will be at the discretion of the instructor.

            Applicants who earned their undergraduate degrees more than ten years before the time of application for admission must be interviewed by the creative writing director before admission to the degree program.

            Applicants who have earned their degrees at institutions in foreign countries (in which English is not the native language) must score at least 600 in the TOEFL (Test of English as a Foreign Language) Examination before being admitted to the MFA degree program in creative writing.

 

DEGREE PROGRAM STATUS

 

            Applicants who seek to be admitted with full standing in the degree program must submit a sample of original writing in fiction (approximately twenty pages) or poetry (four to six poems) to the director of creative writing at the time (or before) they seek admission.  Since full standing in the degree program depends upon the evaluation of submitted manuscripts, candidates who wish to have their manuscripts evaluated prior to official application to the Graduate School should submit sample manuscripts well in advance of submitting an application to the Graduate School, thus allowing sufficient time for a program decision regarding degree status.

 

Determination of degree program status is made by vote of the members of the creative writing staff of the Department of English, who read the manuscripts submitted. A student may be allowed to submit manuscripts a second time if he or she is unsuccessful in obtaining degree program status. (Note: degree program status should not be confused with admission to candidacy; see Plan of Study, p. 4.)

 


COUNSELING

 

All MFA candidates in English are advised by the director  of creative writing.

The director of creative writing will help the student establish a pattern of study which will take into account the student's interests and vocational plans. (See Registration and Advising, p.3, and Plan of Study, p. 4.)

 

 

GENERAL DEPARTMENTAL REQUIREMENTS

 

TRANSFER OF CREDIT

 

            A minimum of 24 of the total 48 semester hours required for the degree in creative writing must be taken at Wichita State University.  No more than 24 hours of credit may be counted toward the degree from other graduate work taken by the student at Wichita State or at another school.  If the credit to be transferred comes from a program in which the student took a graduate degree, the time limits imposed by the Graduate School on other transfer of credit will not apply.

 

DEGREE PROGRAM

 

COURSE WORK

 

The 48 semester hours of degree course work are apportioned into two categories, required and elective courses.

 

Required Courses

 

A minimum of 3 hours per semester in English 801 (Creative Writing: Fiction), or 805 (Creative Writing: Poetry) to a maximum of 12 semester hours.

 

3 hours in English 800 (Introduction to Graduate Study in English) or the equivalent, required of all graduate students.  English 800 should normally be included in the student’s first semester of graduate study.

 

3 hours in English 830 (Graduate Studies in Drama), 832 (Graduate Studies in Fiction) 834 (Graduate Studies in Poetry).  With departmental consent, each course may be repeated for a maximum of 6 hours credit.

 

3 hours in English 841 (Graduate Studies in Contemporary Literature), 860 (Graduate Seminar in Special Topics), or another suitable seminar in literature.  With departmental consent, seminars may be repeated for a maximum of 12 hours credit.

 

2 to 6 hours in English 875 (MFA Final Writing Project).  6 hours over 2 semesters is typical.

 

For purposes of enrichment, candidates emphasizing fiction and poetry must take at least 3 graduate hours of comparative literature, literature in translation, foreign language or an applied course in another art or discipline.  The choice is contingent upon the student’s having the proper prerequisites.

 

Graduate Teaching Assistants are required to take English 780 (Advanced Theory and Practice in Composition), and English 681 (Editing American English) unless specifically exempted, and to participate in the appropriate syllabus group. 

 

Elective Courses

 

Elective courses may be taken to strengthen areas of weakness; to pursue historical, technical, or theoretical studies that the candidates find useful; or to enrich their degree program appropriately.  All candidates must successfully complete a minimum of 15 elective hours in English courses numbered 800 and above, with the exception of English courses numbered 515 through 527, which may be taken for graduate credit.  Candidates may take up to 26 elective hours in English courses numbered 800 and above and in the approved 500-level courses.  Other exceptions may be made as approved by the director of creative writing. Instructors in 500, 600 or 700-level courses will impose more rigorous assignments upon students taking them for graduate credit.  Within this unit, as many as 9 hours total of English 880 (Writer’s Tutorial: Fiction), English 881 (Writer’s Tutorial: Poetry), and English 855 (Directed Reading) may be taken.

 

COMPREHENSIVE EXAMINATION

 

            All candidates are required to pass a written comprehensive examination in the final semester of their course work.  This examination is based on a reading list of 30 books chosen from the MFA master reading list by the candidate’s final writing project director and the candidate. See (Book List and Comprehensive Examination Procedure, p.5.)

 

 

FINAL WRITING PROJECT

 

            The MFA final writing project consists of a body of original work of publishable quality.  The manuscript must be of such length as is appropriate to published books in its genre and is to be written under the direction of a member of the program staff.  Candidates may preface their project with a short introduction if they choose. (See Final Writing Project and Review Procedure, p.6.)

 

FINAL WRITING PROJECT REVIEW

 

Once the candidate has submitted the final writing project, a committee composed of the project director, 2nd reader and another English department faculty member will examine the work and determine whether or not the project meets the standards of acceptance. (See Final Writing Project and Review Procedure, p.6.)

 

GENERAL INFORMATION

 

REGISTRATION AND ADVISING

 

During pre-registration and prior to registration each semester, the director of creative writing will be available to advise students and to sign their registration materials. Times for advising will be posted.  MFA Graduate student registration materials should be approved only by the director of creative writing or the department chairperson.

Other kinds of counseling should be arranged for by appointment with the director of creative writing.


PLAN OF STUDY

 

In order to define a program of study for a graduate degree, MFA students must submit the plan of study form leading to admission to candidacy for the degree no later than one month following the completion of 24 semester hours of graduate credit or the semester prior to the semester of graduation, whichever comes first.

The MFA candidate's plan of study is developed in conjunction with the director of creative writing . The plan of study must be signed by the candidate, by the adviser (creative writing director), and by the dean of the Graduate School. All academic work completed and planned for the completion of the degree must be included in the plan of study at the time of submission.

It is the obligation of the candidate to obtain plan of study forms from the creative writing director, to fill them out, and to return them to the creative writing director for approval and submission to the dean of the Graduate School.

Students may make changes of up to three courses in the plan of study by submitting a written request, providing the request has been endorsed by the creative writing director. More extensive changes may be accomplished by filing a new plan of study marked “Revised Plan”. (see Program Forms: Change in a Plan of Study, p.12)

 

“READINGS” AND “STUDIES” COURSES

 

In general those courses which are called “Readings in ...” will be broadly based in subject matter. They will normally terminate in a comprehensive course examination, but will not require a long seminar or term paper. On the other hand, those courses which are called “Studies in ...” will normally include the writing of a term paper, but will not end with a comprehensive course examination. This procedure will reduce duplication of skill training and provide more opportunity for the student to read widely in literature.

 

ENRICHMENT COURSES EXPLAINED

 

Students should be able to show that the course chosen for enrichment credit complements their course of study and is of significant academic merit. Before enrolling, students should seek the advice and consent of the creative writing director (see Program Forms: MFA Enrichment Prospectus, p.13).

 

DIRECTED READINGS: LIMITATIONS AND PROCEDURE

 

English 855 is intended for the qualified student as an opportunity to do further work beyond the regular courses in the Department of English.

It is not permissible to use directed readings to make up deficiencies in the general areas of English and American literature, to cover areas which are already covered by regular courses in the department, or to accommodate schedule difficulties.

For MFA students, such hours may begin only after the student has completed a course in creative writing, only upon the recommendation of the instructor involved, and only upon approval of the director of creative writing .

In order to undertake a directed reading, the student must first find an instructor who is willing to direct the course. Having found such an instructor, the student may then develop and present a prospectus (which should include statement of purpose, method of evaluation, and bibliography, and must be signed by the instructor involved; see Program Forms: English 855 - Directed Readings: Prospectus (MFA), p.14) to the director of creative writing for approval. The prospectus must be approved prior to the student's enrollment in English 855 (preferably during the preceding semester).

Upon completion of the course, the student must file a statement form with the Graduate School. Forms are available in the creative writing director’s office.

 

BOOK LIST AND COMPREHENSIVE EXAMINATION PROCEDURE

 

MFA Master Reading List

 

When the MFA candidate enters the program, he or she will receive a master reading list (by genre), and be informed that when he or she is assigned a final writing project director, the two of them (candidate and director) will compose a candidate’s reading list, using titles from the master list.

 

Candidate’s Reading List

 

When the MFA candidate’s project director is agreed upon, the project director and the candidate will compose a candidate’s list of 30 titles.  The candidate’s list will include at least 5 titles from periods before the modern/post-modern, at least 15 titles from the modern/post-modern period, and at least 5 critical/theory titles.  The candidate will be allowed to select 5 additional titles not on the master reading list, with the agreement of the project director.  In exceptional cases, wherein the project director and the candidate wish to further modify the candidate’s list, they may together petition the creative writing committee to do so.

 

Since an approved reading list (one signed by both the project director and by the candidate) must be submitted with the candidate's application to take the comprehensive examination, the reading list should be developed well in advance of that application.

 

      Comprehensive Examination Procedure

 

The comprehensive examination for MFA candidates is based on the candidate’s reading list of 30 books chosen from the MFA master reading list by the candidate’s final writing project director and the candidate.

 

Students should take the comprehensive examination in the last semester of their course work or as close to that time as is feasible; in no event may a student sit for the comprehensive examination prior to his or her submission of the plan of study. The comprehensive examination is given twice a year (in the fall and spring semesters); no comprehensive examination is given during the summer session.

 

Students are required to give the director of creative writing and the graduate coordinator (who proctors the examination), four weeks in advance of the scheduled date of the examination, written notice of their intention to take the comprehensive, including an approved book list.

 

The examination itself requires essay answers. It is divided into three segments requiring 1-1/2 hours each to complete. There will be alternative questions in each part, and there will be two readers for the examination, one the writer of the questions and the other a faculty member chosen by the director of creative writing. The possible grades are High Pass, Pass, and Fail. If, on any section of the exam, there is a split between passing and failing votes, a third reader will be asked to resolve the grade. Students will not be allowed to take one part of the examination on one date and another part on a following date. Students who fail all or part of an examination will be allowed to repeat the examination once.


FINAL WRITING PROJECT AND REVIEW PROCEDURE (also see MFA Final Writing Project Preparation and Procedure, p.8.)

 

      Final Writing Project

 

The MFA work is concluded by the presentation of a creative project of book length, appropriate to the genre in which it is written--poetry, short fiction, or novel.  It is intended to be the final demonstration of the student's creative proficiency and should be of publishable quality. It should not be a collection of miscellaneous items written in various genres, but rather, a coherent and single literary work.

 

Preliminary Steps

 

The candidate should establish as early as possible with the creative writing director (before enrolling in project hours) the kind of project he or she wishes to submit.

 

The candidate should discuss the project with the senior faculty member with whom he or she will develop the project.

 

The creative writing director will then name a director for the project, usually, but not always, the faculty member who helped develop the project. The director will also name a second reader.

 

The candidate will then submit to the creative writing director a statement (see Program Forms: English 875 MFA Final Writing Project: Prospectus, p.14) approved and signed by the project director and the second reader which contains the following:

 

Tentative title;

 

A tentative statement of the nature of the project (novel, collected short fiction, poetry);

 

An estimation of the length of the project.

 

After examining the proposal, the creative writing director will approve or disapprove the project and may offer specific suggestions about the future development of the approved project.  The director must provide written reason for declining a proposal.  The sponsoring faculty member may appeal that decision to the creative writing committee as a whole.

 

The creative writing director will then file the approved project.

 

The candidate may then enroll in MFA Final Writing Project hours (English 875).

 

The Project Director and the Second Reader

 

The candidate and the project director will work together to fulfill the requirements for the final writing project.

 

When the project director feels that the project has been adequately completed, the candidate will submit it to a second reader appointed by the creative writing director in consultation with the student and his/her project director.

 

The second reader is empowered to make suggestions for revision of the project.  His or her suggestions will be made both to the candidate and to the project director.

 

      Final Writing Project Review

 

By the end of the eighth week of the semester, any student who wishes to submit the project for review must apply to the director of creative writing for a date by which to submit the project to the review committee (see Program Forms: Application to submit Final Writing Project, p.15). Final dates for completion of the project review are available from the director of creative writing and are posted. No project review will be carried out during the summer session.

 

Upon receipt of the student's application for a submission date, the creative writing director will recommend a review committee. The full committee consists of the student's project director,  his or her second reader, and a third member drawn from the Department of English.  The project director presides at the review committee meeting.  The student will be notified in writing by the director of creative writing regarding the results of the final writing project review.

 

If he or she chooses, the MFA student may provide, along with the project, a short written introduction for the members of the review committee. This introduction should not be lengthy; it is not to be an explanation of the project, nor should it be interpreted as an attempt to force the candidate to justify the project. Rather, it should serve the committee, one member of which is drawn from outside the creative writing program, as a place from which the candidate believes discussion of the project ought to start. It will become part of the project as filed with the Graduate School.  Recommended length is 2 to 4 pages.

 

At least ten days before the scheduled date for the review, the student must submit one printed copy (letter quality) of the project to each member of his or her committee.  (See Guide to the Preparation of Theses and Dissertations for mechanical requirements. Requirements are the same as for thesis). The copies of a project presented to members of the review committee should be “printer ready” and substantially free from errors. The project director will be responsible for insuring that the project is presentable.

 

If the three members of the committee unanimously accept the project, the project will be approved and credit awarded for hours taken in MFA Final Writing Project:  English 875.  If the committee judges the candidate's project to be of exceptional merit, they may approve it with distinction.  The award of distinction also requires a unanimous vote of the committee. 

 

            All review committee votes will be cast by secret ballot.

 

      Regulations Concerning Rejection of Final Writing Project

 

If a project is rejected, the candidate will be advised by his or her committee to carry out one or more of the following suggestions:

 

Re-write the project (project unacceptable);

 

Take further coursework in prescribed areas (candidate not yet prepared to do the project properly).

 

            The candidate must wait at least ninety days before resubmitting the project.

 

MFA FINAL WRITING PROJECT PREPARATION AND PROCEDURE

 

During the semester in which the project is submitted for review, the candidate is responsible for being aware of the following information in addition to that prescribed by the Guide to the Preparation of Theses and Dissertations (available from the Graduate School) and for observing the following deadlines.

 

Reading and Direction (Project Director and 2nd Reader)

 

In order to allow the candidate ample time to prepare the project, or to have the project prepared, the director should have completed his or her direction of the project by at least one month prior to the date upon which copies must be in the hands of review committee members. (Copies must be in the hands of review committee members by 10 days prior to the scheduled date of the review committee meeting).

 

The 2nd reader should have completed his or her comment upon the project by at least two weeks prior to the date upon which copies must be in the hands of review committee members.

 

Project length

 

Fiction100 pages or more

Poetry—40 pages or more

 

Paper

 

The three copies specifically used by the review committee members may be photocopied on inexpensive 16-20 weight paper, as long as they will not be used for the bound project copies.

 

Typing (or printing)

 

Fiction should be double spaced.

 

Poetry (unless form dictates otherwise) should be single spaced.

 

Symbols or illustrations not typed must be in black India ink.

 

Copies Required

 

Three bound copies of the project are required, (2 copies to be submitted to the Graduate School, 1 copy to the Department of English). Copies should not be bound prior to project review, since changes may be required.

 

After the project is accepted by the review committee, the project director will be responsible for the Recommendation For Degree form which he or she will sign when corrections (if any) have been made. The Recommendation For Degree form must accompany the unbound, corrected copy of the project that is taken to the Graduate School for review.  A representative of the dean of the Graduate School will check the order of the project, margins and pagination, clarity of type, and other features to ensure that the finished product has a professional and uniform appearance.

 

If the bindery cannot, for any reason, bind the project in time to meet deadlines for submission, the candidate must then submit a statement from the bindery to the Graduate School instead of the bound project.

 

The Project Title Page is bound with the project, without signatures. When all three bound copies are returned to the department, the appropriate individuals will sign them and one copy will be kept in the department library. The student must submit two copies to the Graduate School.

 

 

 

 


GRADUATE DEADLINES

 

At the beginning of each semester, the Graduate deadlines for the current academic year will be posted on the graduate bulletin board.  This schedule will include deadlines for the following:

 

Application for degree card filed in the Graduate School office;

 

Application to submit Final Writing Project date;

 

Intent to sit for the Comprehensive Examination date;

 

Comprehensive Examination date;

 

Copies of the Final Project to Review Committee date;

 

Final Project Review Committee meeting dates;

 

            All other degree requirements must be met date;

 

One commencement is held each year in May at Wichita State University.  Students completing degree requirements during the Summer Session following commencement or the fall semester may obtain their diplomas from the registrar's office or request that their diplomas be mailed.  These students may attend Commencement exercises the following May.  Each graduate's name appears in the Commencement program, with the completion date of the graduate work.

 

 


ENGLISH 855 DIRECTED READINGS: PROSPECTUS (MFA)

 

 

(THREE SIGNED COPIES OF THIS FORM ARE REQUIRED: 1) STUDENT; 2) INSTRUCTOR;

3) CREATIVE WRITING DIRECTOR.)

 

Student's name:

 

Date:

 

Name of sponsoring instructor:

 

Subject matter of course(s):

 

 

 

 

 

 

 

 

 

 

 

Method of evaluation:

 

 

 

 

 

 

Tentative bibliography:

 

 

 

 

 

 

 

 

 

 

 

Student's signature:______________________________________________________________

 

Instructor's signature:_____________________________________________________________

 

Director of Creative Writing: :_________________________   ______approve ______disapprove


 

 

CHANGE IN PLAN OF STUDY FORM.(see program director)

 

 


MFA ENRICHMENT PROSPECTUS

 

 

(TWO SIGNED COPIES OF THIS FORM ARE REQUIRED: 1) STUDENT; 2) CREATIVE WRITING DIRECTOR).

 

Student's name:

 

Date:

 

Proposed course (in another department):

 

 

Statement of the rationale for taking the proposed course (how will it enrich the primary endeavor--the writing of fiction or poetry?):

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Student's signature:_____________________________________________________________

 

Director of Creative Writing:_____________________________________________________

 

 

 

ENGLISH 875 MFA FINAL WRITING PROJECT: PROSPECTUS

 

 

(FOUR SIGNED COPIES OF THIS FORM ARE REQUIRED: 1) STUDENT; 2) PROJECT DIRECTOR; 3) SECOND READER; 4) CREATIVE WRITING DIRECTOR).

 

Student's name:

 

Date:

 

Name of Director:

 

Name of Second reader:

 

Tentative title:

 

Tentative statement of the nature of the project (novel, collected short fiction, poetry):

 

 

 

 

 

 

 

 

 

 

 

 

Estimation of the length of the project:

 

 

 

 

 

 

 

 

 

 

 

Student's signature:_____________________________________________________________

 

Director's signature:____________________________________________________________

 

Second reader's signature________________________________________________________

 

Director of Creative Writing:_____________________________________________________

 

 


APPLICATION TO SUBMIT FINAL WRITING PROJECT

 

 

This form should be completed by the end of the eighth week of the semester during which the applicant will be submitting the Final Writing Project.  Applicants should be prepared to meet with the Director of Creative Writing in order to discuss possibilities regarding the committee.

 

 

Student's name:

 

Date:

 

Name of Director:

 

Name of Second reader:

 

Other English department member requested:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Student's signature:_____________________________________________________________

 

 


 

Criteria and Procedures MFA Fellowships

 

 

The following criteria and procedures are used for the recommendation of MFA students for the MFA Fellowships.

 

Criteria:

 

Advanced standing (2nd semester or beyond);

 

Recommendation of regular Creative Writing faculty on the basis of achievement as a writer;

 

Recipients may hold a fellowship for no more than a total of two (2) semesters;

 

Recipients must enroll full time in their degree program and pursue their scholarly work;

 

Recipients must be eligible for a graduate research assistantship;

 

Recipients may not hold any other remunerative employment, except by special approval of the department chairperson and the dean of the Graduate School.

 

Procedure:

 

 

The director of creative writing compiles a list of those MFA students whose records conform to 1) under Criteria.

 

The creative writing director solicits sample manuscripts from eligible MFA students.

 

These manuscripts are made available to the creative writing faculty, who are then asked in writing for their nominations.

 

When nominations are returned, the creative writing faculty votes (either by ballot or in a meeting of the committee) to award the MFA Fellowships.

 

The results of the vote are communicated to the department chairperson who, in turn, submits the recommendation to the graduate dean.

 

Notification of the awards is transmitted directly from the graduate dean to the recipients. Announcements of the award are not made until after official notification from the graduate dean.

 

In any given semester, if the committee determines that a sufficient number of students have not been doing work of appropriate quality in one or another genre, the committee may award fewer than the available fellowships.

 

 

 


Criteria and Procedures—MFA GTA to teach 285Q

 

The following criteria and procedures are used for the recommendation of an MFA GTA to teach a section of English 285Q: Introduction to Creative Writing.

 

Criteria:

 

1.  Superior academic record;

 

2.  At least one (1) year of experience as a teaching assistant in the writing program, with superior performance;

 

3.  Recommendation of regular creative writing faculty on the basis of achievement as a writer;

 

4.  Recommendation of visiting tutors (if possible).

 

Procedure:

 

The creative writing director compiles a list of MFA GTAs whose records conform to 1) and 2) under Criteria.

 

The director of creative writing polls all MFA GTAs on the list, inquiring as to availability and willingness to teach 285Q during the specified semester.

 

The director provides each faculty member with a list of MFA GTAs who are willing and able to undertake the instruction of a section of 285Q and a nominating ballot. The creative writing faculty are then asked for their nominations.

 

Members are apprised of the names of nominees and are then polled until a majority approves a particular candidate.

 

Should, in any given semester, the committee conclude that no available MFA GTA is qualified to teach a section of 285Q, or if enrollments will not allow the scheduling of an additional 285Q section, the committee will not award the course.

 

 

 

Directed Readings Credit for Editing Mikrokosmos

 

If the individual chosen to be editor of Mikrokosmos is an MFA degree candidate, that individual may receive up to 3 hours of English 855—Directed Readings credit for editing the magazine.  The supervising faculty member is the advisor to Mikrokosmos.  A 855 prospectus must be filed with the director of creative writing in order for credit to be awarded.


 

 

MIKROKOSMOS CONSTITUTION

 

Preamble

 

Mikrokosmos exists to provide an outlet for the creative works of Wichita State University students, faculty, and alumni.  It is intended for distribution to WSU students and faculty and to other academic institutions, and it shall not claim rights to any material published.

 

Article I

The Association

 

Section 1. Name

 

The name of this student organization and its publication shall be Mikrokosmos

 

Section 2. Membership

 

All students and faculty of Wichita State University are ipso facto participants in Mikrokosmos activities, insofar as they are the intended audience of Mikrokosmos and insofar as they are invited to submit their creative works for publication in Mikrokosmos.

 

Section 3. Duties

 

The duties of Mikrokosmos shall be:

 

a. to provide a publication outlet for original creative works by interested students, faculty, and alumni of Wichita State University;

b. to provide a quality literary journal for Wichita State University;

c. to provide editorial, production, and management experience for the staff of Mikrokosmos, who will be, with the exception of the faculty advisor(s), Wichita State University students.

 

Article II

Officers

 

Section 1. Composition

 

The officers of the association shall be the faculty advisor(s), the Editor-in-Chief, the assistant editors, and the staff.

 

Section 2. Appointment

 

The Editor-in-Chief of Mikrokosmos shall be nominated by a committee consisting of the faculty advisor(s) and the outgoing Editor-in-Chief.  This nomination must be approved by the creative writing committee of the Department of English, WSU.

Assistant editors and staff shall be appointed by the new Editor-in-Chief, after consultation with the faculty advisor(s).  These appointments must be approved by the Creative Writing Committee.

The faculty advisor(s) shall be appointed by the creative writing committee upon recommendation by the Editor-in-Chief.

 

Section 3. Faculty Advisor(s)

 

The faculty advisor(s) of Mikrokosmos shall have the following duties and responsibilities:

 

a. to appoint officers in conjunction with the Editor-in-Chief;

b. to serve in a consulting capacity to the editorial staff;

c. to arrange monthly meetings with the Editor-in-Chief and necessary staff in order to ascertain progress and success with the publication of Mikrokosmos;

d. to be the final authority in financial and technical matters concerning Mikrokosmos, upon the approval of the creative writing committee of the Department of English, WSU.

 

Section 4. Editor-in-Chief

 

The Editor-in-Chief of Mikrokosmos shall have the following duties and responsibilities:

 

a. to appoint the assistant editors and staff in conjunction with the faculty advisor(s);

b. to oversee the selection and editing of materials published by Mikrokosmos;

c. to be responsible for Mikrokosmos budget procedures and to serve as custodian of funds.

 

Section 5. Assistant Editors

 

The assistant editors shall have the following duties and responsibilities:

 

a. to assist in the selection and editing of materials published by Mikrokosmos;

b. to distribute Mikrokosmos to the faculty and student body of WSU;

c. to assist the Editor-in-Chief with any other duties necessary for the publication of Mikrokosmos.

 

Section 6. Staff

 

The staff shall have the following duties and responsibilities:

 

a. to assist the Editor-in-Chief with duties necessary for the publication of Mikrokosmos;

b. to distribute Mikrokosmos to the faculty and student body of WSU.

 

Section 7. Recall

 

The following are grounds for the removal of any individual charged with duties and responsibilities to Mikrokosmos:

 

a. gross in competency (i.e. failure to attend meetings, failure to carry out assignments or to discharge duties, etc.);

b. attempted or actual mismanagement of funds.

 

Removal procedures, which may be initiated by the Editor-in-Chief or the faculty advisor(s) are subject to approval, in all cases, by the Creative Writing Committee, Department of English, WSU.

 

Section 8. Meetings

 

The meetings of Mikrokosmos staff shall occur at the request of the Editor-in-Chief or the faculty advisor(s).

 

 

Article III

Editorial Policies

 

The following articles shall be the editorial policy of Mikrokosmos:

 

a. submissions shall be taken from WSU students, faculty, and alumni, (Student shall be defined as any individual enrolled at WSU. Faculty shall be defined as any individual hired by the university for instructional purposes. This includes part-time and guest faculty. Alumnus shall be defined as any individual who has previously enrolled at WSU.);

b. Editors-in-Chief should not publish their own works in Mikrokosmos; however, material from assistant editors and staff may be published at the editor’s discretion;

c. the academic freedom of the student organization known as Mikrokosmos shall be respected by the faculty advisor(s), the Creative Writing Committee, and other members of the University.

 

Article IV

Constitutional Amendments

 

This constitution shall be amended if such an amendment is agreeable both to the faculty advisor(s) and the Editor-in-Chief and if such an amendment is approved by a majority vote of the Creative Writing Committee, Department of English, WSU.

 

Article V

Discrimination

 

No person interested in participating in Mikrokosmos shall be discriminated against for reasons of race, sex, religious beliefs, or national origin.

 


EGSA (English Graduate Student Association) constitution

 

Preamble

 

The English Graduate Student Association (EGSA) exists to represent English graduate students and to act as their advocate within the department, the university, and the community.

 

Article I

 

The Association

 

Section 1. Name

 

The name of the Association shall be the English Graduate Student ~Association, hereafter denoted as EGSA.

 

Section 2. Membership

 

Students admitted to the Graduate School of the Wichita State University and assigned to the Department of English for advising automatically shall be members of the EGSA with voting privileges and the right to attend all meetings, regardless of sex, race, religious faith, or national origin.

 

Section 3. Function

 

The EGSA is intended to provide a forum where members may exchange information, focus on common problems in the study and teaching of English, and unite to present proposals, recommendations, or grievances to the Department of English.

 

Article II

 

The Executive Committee

 

Section 1. Composition and Function

 

The Executive Committee shall be elected by the membership and shall consist of the President, Vice-President, Secretary, and Treasurer. The Executive Committee shall be responsible for the administration of all EGSA activities, including research, policy, correspondence, programs, and financial and fund-raising functions.

 

Section 2. Officers

 

(A) President

 

(1)  The President shall be responsible for conducting all EGSA meetings.

 

(2)  The President, directed by and subject to the Executive Committee, shall be considered official spokesperson for the EGSA.

 

(3)  Any agreements reached by the President during negotiations on any matter with any body

                  on behalf of the EGSA are provisional and subject to ratification by the Executive

                  Committee.

 

(B) Vice-President

 

(1) The Vice-President, in the event of absence of the President, shall conduct EGSA meet­ings.

 

(2) The Vice-President shall be responsible for the coordination, planning and publicity for programming sponsored by the EGSA.

 

(3) The Vice-President shall oversee the functions and progress of the various program committees.

 

(C) Secretary

 

(1) The Secretary shall be responsible for keeping minutes of all EGSA meetings.

 

(2) The Secretary, directed by the President, shall be responsible for notifying all appropriate parties of EGSA meetings, including committee meetings.

 

(3) The Secretary shall be responsible for conducting elections.

 

(4) The Secretary shall be responsible for assisting the Vice-President in the coordination of

                  programming sponsored by the EGSA.

 

(D) Treasurer

 

(1) The Treasurer, under the direction of the Executive Committee, shall be responsible for handling any funds passing through the jurisdiction of the EGSA and for keeping appropriate records.

 

(2) The Treasurer shall be responsible for conducting budget negotiations between EGSA and the Student Government Association (SGA).

 

Section 3. Procedures

 

(A) Meetings

 

The Executive Committee shall meet at least once every calendar month at the time most convenient to its members. The President is empowered to call additional meetings of the Executive Committee at his or her pleasure. A meeting of the Executive Committee may be called by two members of the Committee provided a written request is delivered to the President at least two days in advance of the meeting. Members of the Executive Committee are expected to attend all meetings of both the Committee and the Association. All Executive Committee meetings, unless otherwise specified by the President, will be open to any EGSA member who wishes to attend.

 

(B) Resolutions

 

A simple majority shall be sufficient to pass any motion or resolution before the Executive Committee.

 

(C) Appointments

 

(1) The Executive Committee shall be responsible for the appointment of an EGSA representative to the Creative Writing Committee and to any other departmental or university committees in which EGSA participates.

 

(2) The Executive Committee shall appoint a member to secure and post information on meetings, symposiums, and seminars of interest to students in both the MA and MFA programs.

 

(3) The Executive committee shall have the privilege of proposing formation of ad-hoc committees to serve at the pleasure of the Committee.

 

(D) Loans

 

The Executive Committee may make personal loans to EGSA members when adequate funds are available in the EGSA Treasury. Terms will be negotiable on an individual basis.

 

Article III

 

General Procedures

 

Section 1. Meetings

 

There shall be general meetings within the first three (3) weeks of the beginning of the fall semester and within the last month of the spring semester. Additional meetings will be scheduled at the discretion of the Executive Committee. Notice of general meetings must be posted at least one week in advance.

 

Section 2. Elections

 

(A) Nominations

 

Nominations for officers must be filed with the Secretary at least seven (7) days before the election and must carry the signature of the nominee.

 

(B) Term of Office

 

Elections shall be held during the last month of the spring semester with the new Executive Committee taking office at the beginning of the fall semester for a term of one year.

 

(C) Removal from Office

 

(1) In the event of conflicts of interest, irresponsibility, incompetence, failure to represent, or

                  other such offenses as may be determined by the Committee, the Executive Committee

                  may propose the removal of any of its own members by three votes.

 

(2) A motion of no confidence can be brought against the Executive Committee at any general meeting upon the signed request of at least one-third of the members of the EGSA.

 

(3) A motion of no confidence shall be passed only if a two-thirds majority of all the members of the EGSA vote for its passage at a general meeting. In the event of the passage of a motion of no confidence, the Executive Committee shall resign immediately, and the Secretary of the outgoing Executive Committee shall call for a by-election within one week following, and shall conduct such election.

 

(D) Replacement of Officers

 

In the event of resignation or removal of a member of the Executive Committee, the Committee shall nominate a replacement, whose nomination shall be reviewed and affirmed or rejected by the membership of the EGSA.

 

Article IV

 

Amendments

 

 (A) Proposed amendments to this Constitution must be passed by the Executive Committee for recommendation to the general membership.

 

(B) Proposed amendments shall be made available to the general membership no later than one week before consideration at a general meeting.

 

(C) Proposed amendments must be passed by a two-thirds majority of those EGSA members present and voting at a general meeting.

 

 


TEACHING ASSISTANTSHIPS IN ENGLISH

 

Except for special fellowships usually awarded to students already enrolled in our programs, the teaching assistantship is the only regular form of financial aid that the Department of English is able to offer.  A number of assistantships are available each year and are awarded on a competitive basis.  With satisfactory performance and progress toward the degree, a teaching assistant may have his or her assistantship renewed each year for the duration of his or her program.

 

Teaching assistants normally teach two sections of English Composition while taking six to nine hours of course work. Those who lack prior experience are required to take English 780, a degree credit course in the teaching of composition, and English 667, a non-degree credit course in English Syntax. Because of the amount of time that teaching takes and courses require, teaching assistants may not accept outside employment unless they have the written permission of the English department chairperson.

 

Teaching assistants are employed for the regular school year. Summer employment is a possibility, but the opportunities to teach in the summer are fairly irregular, and a teaching assistant should not make plans that are built upon the prospect of summer teaching. In addition to a stipend, teaching assistants receive a 100% reduction in basic tuition though not of other student fees.

 

 

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Department of English
Wichita State University
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